A couple of "Honorable Mentions!"

For the 2013 Mobile Photo Awards "Travel" category,

two of my submissions made "Honorable Mention!"

One from Seoul:

Hyangweonjeon, or "The Pavilion of Far-reaching Fragrance,"

in Gyeongbokgung Palace,

is one of the loveliest spots in Seoul.

(ColorSplash app in addition to snapseed

used for both of these images.)

...and the other from the opposite side of S. Korea,

from the coastal city of Sokcho:

"Red Doors, Sokcho, Korea"

(Abai village neighborhood)

So, if you happen to be in New York City 

February 22-28,

these images will be among those on display

at the SOHO Gallery for Digital Art...

Check out the rest of the winners and runners-up;

so compelling, and all taken and edited solely with mobile devices.

It's such a thrill and privilege to know that a couple of my iphoneographic efforts 

will be on display with all of these great images...

a week of symmetry and its surreal revelations...

A week ago, I took my iPhone with me on my morning run--a glorious autumn morning in Sabino Canyon, great for reflection shots...

...Later that evening I was playing around with a couple of the scenes--turned one into a black-and-white, and then thought it might be fun to 'mirror' the black and white version, lining it up with the original color photo, using the PicFrame app to place the photos side-by-side, and then 'erasing' the space between the photos by reducing the width to zero; below is the result:

A bit trippy; I was pleased with how it turned out.

So, the next day, while on my lunch break, I thought I'd play around with 'mirroring' another photo--from a recent trail-run into Bear Canyon. When I finished flipping the photo and placing it next to the original, I was surprised by what I saw staring back at me:

Symmetry brings out unforeseen patterns;

the brain wants to impose sense;

faces and anthropomorphic figures pop out.

Surreal.

So then--back to a reflective landscape from Sabino Canyon--

cottonwoods glowing under the desert sun...

I was floored by the result: 

 Whoa.

That face at the bottom...

With its enigmatic Mona-Lisa-smile--

serendipity of underwater undulations in the sand and gravel...

Onto a monsoon downpour over the desert--

 vague notions of a UFO in the sky;

weather marching ominously over the saguaros:

 From the Sonoran desert to Seoul--from landscapes to architectural details--the roof of the Throne Hall of Gyeongbok Palace--flipped on its side and mirrored:

 --fractal, almost...

And then from the traditional to the post-modern, still in Seoul--Daniel Liebeskind's "Tangent" (HQ for Hyuundai Development Company), "cubed:"

...back to landscape.
Can you recognize where this melting scene comes from?

 (Is that a rock-star's face in the middle?)

Mt. Rainier.

The idea of faces--I went back to my Sabino Canyon landscape with the eerie face--decided to triple it:

Without getting overly theological,

it's interesting to see a trinitarian head appear where,

in nature, there's nothing...

Back to Seoul:

a floating roof, 

guarded by two 'haetae:'

More architecture--the Loreto Chapel's 'miraculous' spiral staircase in Santa Fe, NM...
the spiral becomes the infinitely impossible:

 Radial symmetry can be hypnotic.

Some sculpture--the 'tree of hearts' on a jetty jutting out into the Sea of Japan,
in Sokcho, along the NE coast of S. Korea:

St. Louis' Gateway Arch becomes a gaping celestial maw:

The 18th-century San Francisco de Asis adobe church in Taos, NM
transforms into an evocation of a moai head from Easter Island, no? 

And now, back to Tucson for something from just a few hours ago. 
With some out-of-town friends, we went for an evening walk in Sabino Canyon...this time, my eye looking for shadow-and-rock jutting into the sky, wondering what symmetry will reveal...Below, a before-and-after comparison of a mountaintop:

And here's a close-up of the cropped-copied-and-rotated end-result:

 Vaguely Mayan?

A carved bar of gold?

Eagles? Foxes? Jaguar heads?

To conclude,

a couple more scenes from Seoul--

Korean architecture just seems to lend itself to 

this kaleidoscopic treatment: 

--one of the stone 'haetae' (mythical fire-eating dragon-dogs) guardian statues in front of Gwanghwamun gate, the main ceremonial entrance to the Joseon-dynasty-era Gyeongbok Palace, in the center of Seoul. 

This last one is a 'transplant'--I'd taken the photo (of Bigak pavilion, a monument on a busy intersection in Seoul) with my Canon, but then e-mailed it to my iPhone so I could play with it with PicFrame--the intricately painted eaves, coming at you from the night sky...

What's coming at you? What do you see?

submissions...from a far shore to the backyard

For what it's worth, here are my five submissions for

The Mobile Photo Awards.

From Sokcho, South Korea...

...to Seoul's Gyeongbok-gung Palace...

...to a cactus bloom in the backyard here in Tucson;

ephemeral color among the spikes--

each flower lasts for just a day:

like a cosmic bucket...snapseed + colorsplash

Once in a while, I'll take my iPhone with me on my long weekend run.

This morning, I drove up to Sabino Canyon, on Tucson's NE edge.

With the recent rains, the desert is green:

The typical pattern here in the summer is clear mornings,

with clouds building in the afternoon,

and then evening thunderstorms...

But today began with clouds.

Ominous saguaros...

Some 'paperflower' in bloom...

(I've been playing with my new 

photo-editing 

 'flavor-of-the-month'

in addition to snapseed:

an app called "ColorSplash")

so green!

Running into the canyon,

after about 2.5 miles,

a reflecting pool below Thimble Peak:

Nice to have so much water;

a couple of months ago, this pool had completely dried up...

Plenty of sacred datura blooms

(a.k.a. 'jimson weed' or even 'Indian whiskey')

...and morning-glory:

(another "ColorSplashed" shot)

...as I came back out of the Canyon, though, the sky had turned ominous,

curtains of rain on the horizon...

and then--WHOA!

--like some cosmic bucket pouring out over the vastness...

It's unusual to have a morning thunderstorm;

 this cell came rolling over the Rincon Mountains from the east...

And that was this morning around Tucson.

============================================

And, just one more 'colorsplashed' and 'snapseeded' shot for tonight--

Hyangweonjeon Pavilion

("Far-reaching fragrance")

in Gyeongbok-gung Palace in Seoul:

two-fingered end-of-the-school-year fun...astronomers in L.A....a Uruguayan's tower

           

A student of mine was having finger-art fun--and I just had to take a couple of photos.

The left might just elicit a 'huh?'...but cross those fingers, and drama ensues...

(Gracias, David!)

Just another week with kids-in-the-classroom...

Now, a scene that's been 'stuck' in my iPhone for about a year and a half:

(drama-filter and center-focus vignette)

In the hills above Los Angeles, near the Hollywood sign, Kepler, Galileo and Copernicus look out over the city of 'stars'...Dominating the lawn in front of Griffith Observatory, this Astronomers Monument dates from the 1930's; the Depression-era Public Works of Art Projects gave work to artists and beautified public spaces. (Nearby is another piece of statuary: a bust of James Dean--the "Rebel Without a Cause" monument, commemorating the film in which Griffith Observatory played a large role.) There's no better place in L.A. from which to see the city lights at night...or to look up at real stars through the free public telescopes in the observatory itself.

And a bit of architectural contrast from Seoul:

One of the most distinctive buildings in central Seoul is the 33-story Jongno Tower, a triangular glass and steel tower topped with an oval floating above seven stories of emptiness.

Across the street is the traditionally reconstructed "Bo-shin-gahk" belfry, housing a large bronze bell. During the Joseon dynasty, the bell would be rung 33 times every morning, (symbolizing the 33 heavens of Buddhism), to open the city's gates. At dusk, the bell would be rung 28 times (linked to the locations of constellations) to signal the shutting of the city's gates.The original bell is now in the National Museum, but a reproduction still hangs here, and every December 31st, it's struck 33 times to ring in the New Year.

Here's the original iPhone shot--the colorful underside of the Bell Pavilion's roof was in almost total darkness. Using the selective control point, I was able to bring out the colorfully painted eaves...

(More about the architect--Uruguayan Rafael Viñoly--and his design:

http://www.rvapc.com/works/341-samsung-jong-ro-tower)

cactus blooms, palace scenes, and a New England lighthouse

From earlier today,

some prickly pear cactus buds and blossoms

in the mountains around Tucson:

(some tilt-shifting to concentrate

the focus on the blooms and buds,

and a bit of vignette, using the center focus filter)

==============================================

In the last posting, I played with a snapshot

of the Throne Hall in Gyeongbok Palace in Seoul;

Here's another angle of the same grand, upswept building,

 still going for the 'scroll background' effect:

This is a 'transplanted' photo; I took it on my Canon,

then e-mailed it to my iPhone in order to snapseed it;

below is the original shot--late afternoon shadows made the

main façade very dark:

So, a bit of selective tool brightening and color-saturating,

and then de-saturating the sky before 

using one of the 'grunge' filters

to end up with the 'scroll effect' version.

=======================================

Another palace photo, 

showing an overview of one of Seoul's minor palaces--

this one taken with my iPhone on my last day in Korea last summer

--this is the view over the main courtyards of 

Changgyeong-gung Palace:

I had climbed to the rooftop terrace garden

of Seoul National University's Cancer Hospital

across the street from the palace in order to get this view,

and just then, the drizzle began to turn into a downpour...

The umbrella adds a certain effect,

but crop it out, and the focus is more on the architecture:

Using one of the grunge filters again,

this time I was aiming more for nostalgia instead of a 'scroll-painting' effect:

 Looking at it now, there's more blur than I would like on the sides...

will do some more tweaking later...

=================================================

To finish for this week,

a shot of what is perhaps the most-photographed-lighthouse in America,

the Portland Head Light

in Cape Elizabeth, Maine:

This is another 'transplant;'

took this with my Canon a few summers ago,

e-mailed it to my iPhone a few days ago, 

and again, with the grunge filter 

(which seems to be my 'flavor of the month' right now),

I played around and ended up with this:

The crispness of the image contrasted with the watercolor-paper-feel of the background--

a combination that lends itself to a coastal scene...

Against a 'naturally textured' background...Scenes from Gyeongbok-gung Palace in Seoul

One of the aspects of NE Asian painting that fascinates me is the fact that, often, no attention is given to the background in the scene; in Western painting, a canvas will be completely painted over with a base layer--showing the blue sky, for example. In many NE Asian scrolls, the silk or the paper is left in its natural state; the foreground elements are recorded in detail, but the artist feels no need to fill in the blank background space with a 'realistically-colored' sky: 

19th-century painting reproduction from:

http://www.royalpalace.go.kr

The above silk scroll, depicting a ceremony in the Throne Hall of Gyeongbok-gung Palace in Seoul is a typical example of the 'raw parchment' look in many scroll paintings.

Or, below, in this handpainted hanji (artisan hand-made paper) scene of a drummer, the fibers in the paper are part of the rustic effect; no need to place the percussionist on an identifiable background when the textured paper contributes its own rhythm:

So, I thought it would be interesting to see if I could mimic the 'naturally textured background' of traditional Korean art by playing with some of snapseed's filters and applying them to some photos I took with my iPhone in Gyeongbok-gung Palace last summer. (A bit of historical background: Gyeongbok-gung was established as the seat of government when the Joseon Dynasty was founded in 1392.)

Here is a view of the Throne Hall depicted in the scroll painting above,

 "Geun-jeong-jeon:"

(Lofty architecture with a lofty title; 'Geun-jeong-jeon' means 'diligence helps governance.') 

Below is the original photo from which the above scene is cropped.

You can see how the mid-day lighting hides the colorful eaves in dark shadow.

Using the 'selective adjust' filter allowed me to specifically brighten the colorfully painted eaves.

Finally, applying one of the 'grunge' filter styles,

and then intensifying the 'texture strength' produced the 'parchment look' above.

(above panorama stitched together on the iPhone using "AutoStitch.")

This is the east gate of the palace, "Geon-chun-mun,"

meaning 'spring begins.'

Through it, you can see the double-roof of the Throne Hall:

I particularly wanted the 'grunge filter' to blur the street details in front of the gate--

painted yellow lines along a concrete curb don't belong in a 'scroll-painting.'

Below, experimenting with a different texture, a scene of the Palace's main gate,

"Gwanghwamun," with Bugak-san mountain behind,

taken from Gwanghwamun Plaza:

I don't like this texture effect as much as the texture style

used for the Throne Hall and the east gate,

but it does turn the otherwise pastel evening sky into a more 

neutral 'scroll background.'

A more close-up view of Gwanghwa-mun gate,

with a mythical fire-eating and justice-promulgating 'haetae' standing guard:

Looking through the central portal of Gwanghwamun gate,

leading to Heung-nye-mun gate,

which leads to the Throne Hall complex:

This style isn't my favorite, either,

but it shows another variation available in the 'grunge filter,'

a combination of edge-blurring as well as a sepia-tone 

to tone down the saturation,

along with the texture effect.

Another day, another scene through Gwanghwamun,

showing the re-enacting of the medieval Changing of the Guard:

By using the exaggerated texture in this scene, I was going for a watercolor-paper effect...

One last scene, from the rear gardens of Gyeongbok-gung Palace--

a hexagonal pavilion on an island in a lotus-pond,

the poetically named "Hyang-weon-jeon,"

'The Pavilion of Far-reaching Fragrance,' one of the loveliest spots in Seoul:

Again, I think this particular texture style is not as successful as what I used in the first photo of the Throne-Hall in mimicking the color and texture of a scroll-painting, but you do get an idea of some of the variations possible within the 'grunge' filter.

With digital photography and digital editing, it's more and more difficult for viewers to know if they're seeing 'what's really there' as opposed to something that's been 'photoshopped;' it's so easy to add or subtract elements from a scene now, to alter the honesty out of the frame. I used to be very wary of 'altered photos,' but if altering a photo means using certain filters to modify lighting, intensity of color, and point of focus, instead of adding or subtracting physical objects...if 'unaltered' photos can be compared to prose, perhaps 'altered' photos can be likened to poetry?--a certain way of distilling what the photographer wants a scene to convey. Prose and poetry can both convey truth, just in different ways...

[All photos in this posting were taken with an iPhone 4,

and edited solely using snapseed.]