Looking through the gate...magazine pages...and moving on...

Yeah, it's been a few months since I last posted.

I'll explain more in a bit...

But first, some recent news.

Just a few weeks ago, I found out that this photo

was one of this year's honorable mentions 

in the Mobile Photography Awards

Travel category:

"Changing of the Guard,

through Gwanghwamun Gate"

(taken in Seoul, June 2011, iPhone4,

edited with snapseed and BigLens)

That trip to Korea several summers ago was when I first had my eyes opened to mobile photography...and then about 7 months later, after I got the snapseed app, I began this blog...

And, in

TZIPAC's upcoming special issue of 

43mm magazine,

(an exposé on mobile photography)

I'm honored to be published

on pages 124-127:

Peruse this issue's pages...

It truly is an honor to share page-space with some of today's great mobile-photography artists...

=====================

So, yes, it's been a few months since I last posted.

I'd been re-thinking if/how to proceed with this blog--which began with my initial interest in mobile photography. I can hardly believe it's already been two years since I began it...I averaged 3 posts per month the first year, but last year, I only posted a couple of dozen times...

One of my posts, back in 2012, even caught the eye of the snapseed team and was featured in their newsletter: http://snapseeded.blogspot.com/2012/03/step-by-step-from-sidewalk-in-insadong.html 

It was a step-by-step 'how-to' showing the potential of snapseed, which back then, hadn't become as well-known...

But since then, while I still use snapseed as my 'go-to' editing app--my 'intial digital darkroom' for my iPhone-photos--I've incorporated other apps into my 'toolbox,' and it no longer seems reasonable to continue a blog about iphoneography which features only one app in its title. 

And so, after two years, this is the last post for snapseeded...

I'll continue posting iphoneography--and even that term, I wonder how much longer it will 'live'--on my other blog, allophile.com. 

It's been such an interesting time to be involved with photography and image-making, as phone-cameras have exploded...Art, journalism, travel-photography--all are being affected by what many are calling a 'new democratization' of photography due to mobile photo technology...I'm looking forward to seeing how it all will continue to evolve...

=====================

I think back to what I wrote in the first post of this blog...

I'll re-post it here:

--------------------

With snapseed so ideal for travel-photos, for capturing and playing with a sense of place,

this description of travel, by writer Rebecca Solnit, comes to mind:

"Perhaps people travel for pleasure because the visual is much more memorable than the tangible, the seen than the felt.  At the time, traveling may be nothing more than a series of discomforts in magnificent settings:  running for the train to paradise in a heat wave, carrying an ever heavier pack in alpine splendor, seeing sublime ruins with stomach trouble. Yet it is the field of images and not the body of sensations that lingers.  My mother once remarked that if women remembered what childbirth felt like, no one would have more than one child.  And so I, third child of a third child, owe my existence to forgetting and my taste for travels to the dominance of the eye..."

(--from A Book of Migrations)

"The field of images...the dominance of the eye..."

     ...all to be played with in the palm of one's hand...      

---------------------------------------------------------

Let's see where it continues to go...

...in iPhoneography Central's "Apps Uncovered"

Last week, iphoneographycentral.com published the recent installment in their "Apps Uncovered" series...and I'm honored to have two of my 'snapseeded' photos included:

"Red Doors, Sokcho"

Backstory/Apps Used: --like stepping back in time, this seaside district of Sokcho, S.Korea; a relic of the Korean War--the houses of N.Korean refugees and their descendants in the "Abai village" neighborhood (snapseed & colorsplash apps used; this photo among the "Honorable Mentions" in this year's Mobile Photo Awards)

     For "Red doors, Sokcho"--I took this with an iPhone4 a couple of summers ago. Not far from the location of the upcoming 2018 Winter Olympics, Sokcho, South Korea has a frontier-feel. (The setting is gorgeous--between mountains and the sea, but lax zoning laws have led to haphazard construction.) The neighborhood where I saw this streetscape is a relic of the Korean War--on a spit of land between a lagoon and the sea, refugees from what would become North Korea built makeshift dwellings, thinking these would be just for the short-term... When the DMZ was drawn in 1953, they found themselves stranded, and this neighborhood has now been home to a several generations of these N. Korean descendants. It feels like a different world from the wifi-and-caffeinated frenzy of Seoul. I used snapseed and the ColorSplash apps for this scene. ColorSplash allowed me to isolate the red doors and shirt stripes, converting the rest of the scene into greyscale. Then I used snapseed's 'tilt-shift' filter and the 'white balance' option found among the 'tune image' options. Combining the 'hyper'-sepia tone and the red accents reminded me of the traditional color scheme used in many older Korean scroll-paintings.

"Bear Canyon, evening"

Backstory/Apps Used: I took the photo with my iPhone5 a few months ago while on a trail-run in the foothills of the Santa Catalina Mountains on the edge of Tucson, Arizona. Winter evening light is just gorgeous in the desert. I used snapseed to convert the shot into a black-and-white scene, then used ''white balance' in the 'tune image' to warm up the scene. I also used the 'drama' filter to play with the contrast. The 'tilt-shift' filter in snapseed and then the "BigLens" app allowed me to smoothen out the sky.

From the chicken to the dinosaur

I've been having fun playing with semi-surrealism with recent iPhone images; last week's "ominous chicken talk" shot was featured in Mobiography's weekly showcase...and then today, WeAreJuxt's weekly "1000 Words" showcase came out...including this:

"When he awoke, the dinosaur was still there..."

On a busy, otherwise prosaic, intersection near where I live in Tucson, a dinosaur sculpture presides over the traffic whizzing by fast food, a gas station, and an oil-change joint…The words of Guatemalan author Augusto Monterrosso come to mind when I pass this seemingly gratuitous T-Rex reproduction–in one of the shortest short-stories in any language, he wrote: “Cuando despertó, el dinosaurio todavía estaba allí.” (“When he awoke, the dinosaur was still there.”) That’s it, just that one sentence; enigmatic, allegorical, and surreal…Juxtaposition within one short sentence that illuminates the juxtaposition of a prehistoric-reptilian-statue in the middle of the automobile-centered cityscape of the American West…

I took this with my iPhone5. Initially I used the Perspective Correct app to straighten the traffic light next to the sculpture. Then I used Snapseed to crop and even out the exposure. The grid/fold overlay is from ScratchCam–but to get the ‘folds’ to line up where I wanted them to, I placed the photo in one of the options in the PicFrame app, estimating where it would line up in ScratchCam before I would crop it again. The surreal color-gradation from ‘prehistoric’ red on the right to dream-like green sky on the left is also from ScratchCam. To add a bit more texture, I used DistressedFX, and then the final vignetting was done in snapseed. (For my ‘signature’ in the bottom corner, I used iWatermark.)

Honored to be included again!

(Another 'surrealization' of a Tucson landmark 

was featured back in March.)

"Ominous Chicken Talk"...streetscape

In this week's "Capturing the Moment" showcase by Mobiography, this was one of the featured photos:

 "Ominous Chicken Talk"

(Honored to be included, and yep, I had fun with this title...)

I drive by this street corner in Tucson very often. Finally, on a recent Sunday morning, the parking lot deserted, I pulled over to take a few photos. The juxtaposition of these oversized animal sculptures next to an otherwise nondescript strip-mall makes me smile every time I pass them--Is it whimsical? Gratuitous? Intentionally surreal? Mere kitsch, or knowingly dadaist? 

I went back and forth between the snapseed and scratchcam apps to edit this scene, which I took on my iPhone5. I liked the rectangular 'fold' overlay on this scene because it frames the chicken in a way to make it seem that it's talking to the giraffe. But WHY does the chicken pay more for gold? And WHY is the giraffe even there? (is there a giraffe-ransom involved?) And why would I want to come here to sell my gold? Endless questions...

==============

And, for breaking out of a creative slump, check out this recent article, "Breaking out of the Photographer Slump," from We Are Juxt...and in it you'll find some images and a few words of mine among others' useful comments and photos:

from mackerel in a faraway market to desert blooms...

Yesterday, I was honored to find out that this photo ("Mackerel in the Market") is featured in this week's showcase that The App Whisperer curates...

I took this photo a couple of summers ago while visiting the coastal city of Sokcho, just south of the DMZ on the east coast of South Korea. Reminded of this market scene a few days ago, I decided to re-snapseed it. I was a bit surprised that the main thing I wanted to do was to de-saturate the image--normally, you tend to want to add color intensity, but the color of the fresh mackerel and the plastic buckets was already so vivid, that I thought the picture would benefit from slightly less color--but then I did warm up the white balance a bit...Below is the original.

When I was in the market, I loved the fact that this husband-and-wife team had a baseball-game on in the background as they worked on the day's catch...

Nearby, part of the waterfront, with the mountains of Seoraksan National Park in the background:

I am just starting to experiment with the Scratchcam app. I am wary of 'over-apping,' (slapping a filter on a scene does not necessarily a 'good image' make), but I have come to like textures...So, after reading some blog posts and interviews with mobile photographers whose images I've been admiring, I added Scratchcam to my iPhone...

...And scenes from Sokcho, again, came to mind. Sokcho is scenically-situated, but it definitely ain't quaint; it's a working port with lax zoning laws. Although it's near some spectacular mountains, the town itself is not a particular draw for visitors from outside of Korea; I ended up there a couple of summers ago because an uncle of mine had moved there...And while the town's modern architecture is haphazard (and at times breathtakingly ugly), there are some historically interesting neighborhoods, the air is clean, and the seafood is amazing...

So. The bridge--I liked the idea of the segmented texture overlaid on a panorama.

...the original, three-shots-blended-by-AutoStitch:

The neighborhood around this bridge, directly north of where I was staying, was originally settled in the 1950's, during the Korean War: refugees from the North built small--what they thought would be temporary--homes. Then, when the war stopped and the DMZ was drawn, they ended up stranded here. People who had farmed the same lands for generations found themselves now on a spit of land between a lagoon and the sea...and their ad hoc construction became their new homes. In the decades since then, the neighborhood has filled in even more--a dense, utilitarian, poignant hodge-podge:

--snapseed, then Scratchcam, then snapseed again, for this edit.

And here's the original:

Compared to the now-internationally-known images of Seoul (via "Gangnam-style"), this part of Sokcho is like stepping back in time...

======================

Now, back to where home is now: the Sonoran Desert...

One of my favorite desert flowers around Tucson, "sacred datura:"

Solely snapseed for this edit.

I often take my iPhone with me on my long weekend morning runs, and there's a spot in Sabino Canyon where there's almost always a bunch of these blooming from April through December. Each flower lasts for just a day--opening at night, and within a few hours of the following sunrise, closing up, finished... 

Before the 'grunge'-filter texturizing:

Purple-tinged and almost lunar..

Here's one that's closed up after having bloomed,

with a new bud underneath:

post-bloom and pre-bloom; point, counterpoint...

(the original)

With PicFrame--different ways of seeing:
the original...b&w...

...and then for the bottom two variations, I went back to Scratchcam...

This image was chosen for this week's "Capturing the Moment" showcase by mobiography.net:

After initial cropping and editing for exposure with snapseed, I chose this particular Scratchcam texture for its geometrical qualities; I like the contrast of the overlay of 'folds' on the tendril-tipped hexagonal flower. Each rectangular 'segment' of the scene could almost stand on its own as a study of texture- or color-detail. The bottom right--with the previous day's spent bloom in the shadow of its fully open 'sibling' on this particular morning--seems, to me, to be a 'memento mori:' a foil to the largest and brightest rectangular section to its left, so full of light and life.

===============================

Something less somber--
effervescent spring: a bee in a palo verde tree:


(kind of going for a Japanese wood-block on Korean-paper effect here...)

This time of year, my wife and I do miss the cherry blossoms up in Seattle, 
but in their own way, the palo verde here almost make up for it...

And, turning things upside down,
a reflective moment in the canyon:

featured on AMPt's twitter challenge this week.


================================
One last image--
yesterday's #fmsPhotoADay challenge theme was "earth;"
I couldn't resist the word- and visual-play,
so I used the TinyPlanets app to
manipulate a scene from a few weeks ago
at the Mission San Xavier del Bac:
 "Mission on Earth."

A week off: spring landscapes, downtown, and close to home

The school district I work for gave us a long spring-break this year: the week before AND the Monday after Easte--off! Always good for mental health...

So, here's some of what caught my eye over the past week-and-a-day...

My wife and I went for a hike in Catalina State Park, just north of Tucson--the winter rains came at the right time for spring wildflowers in the desert:

While not as spectacular as the spring of 2010, it's always worthwhile 

to go for a hike in the desert when the wildflowers are out...

lupine, Mexican gold poppies, owl clover

(AND, incidentally, the photo above was featured 

on the local TV news last Tuesday.)

...so ephemeral...

Spring runoff, flowing water in the desert, saguaro reflections...

While running the loop in Saguaro National Park, on the city's eastern edge,

I noticed this saguaro-skeleton

with its signature downturned arms:

Just a few years ago, it looked like this:

 Memento mori, from a cactus...

A couple of downtown evenings:

Late-night coffee-and-dessert at the Cup Café in the 1919 Hotel Congress:

No longer a motel,

but this vintage neon sign has survived:

And one of the best restaurants in Tucson,

Downtown Kitchen & Cocktails:

Some street-art--on the corner of 4th and University, just north of downtown, just east of the Univ. of AZ:

Seeing this, this phrase came to mind: "Read me a good story, and I'll never forget..."

love how the b&w ants seem to pop off the brick...

and a bit of the ColorSplash app here, to make the 'bouquets' stand out.

Pistols. Flowers. Ant.

Hmm...

Today--a trail-run into Bear Canyon...

...four miles in, four miles out: crisscrossing a seasonal stream,

a few boulders and a couple of switchbacks,

trail lined with wildflowers this time of year...

 ...with Seven Falls as the destination:

(I love these guys--not that common,

Coulter's hibiscus, a.k.a. desert rosemallow)

On the way to Bear Canyon, 

a stand of cottonwoods I keep returning to:

 Closer to home, something abstract:

Well, actually, inside home, these permutations;

here's the original image:

(looking up in the entryway)

And who can resist a bird's nest?

 --on the back patio--the mother dove left for a few minutes, so I thought I would check on the two babies (dovelets? dovelings? chicks?) The mother dove did come back...all is well...

===========================

...and a fun surprise from last night--

I found out that this photo, "nighthawks for noodles,"

was featured in this week's "Through the lens of an iphone" showcase

by iphoneography.com

 

Taken on my last night in Seoul, a couple of summers ago...

An honor to be included...

In this week's JUXT showcase, "not quite twins"

I'm so honored to have one of my images featured in this week's "1000 Word showcase" by the team of mobile artists JUXT:

I took this just over a week ago, down at the Mission San Xavier (the same day I took the photos for the previous post.)..."Forced" to come up with a title when I submitted it to JUXT's Flickr group, I ended up with "not quite twins."  

Below is what I wrote for the showcase, including how I created the image:

A few days ago I was able to leave work earlier than usual–a clear and warm spring afternoon–so I decided to go down to the Mission San Xavier del Bac. I hadn’t been in a while, and It’s only a 15 minute drive from downtown Tucson; the combination of desert sky, Native American culture and 18th-century Spanish colonial architecture is endlessly photogenic. The Mission was originally founded in 1692, and the present structure dates from the 1780′s. The twin-towered facade is dominated by simple Moorish-influenced towers flanking an intricate Baroque entryway. The eastern tower was never completed–to my eye, it’s the asymmetry that makes the proportions more interesting. (The almost-symmetry of human faces is what often gives us visual personality, and it’s fascinating to find it in man-made structures.) The whitewashed towers with crisp shadows against the afternoon sky reminded me of some of Belgian painter Magritte’s famously surreal scenes–which made me want to experiment with isolating some of the Mission’s architectural details against the sky.

First I used Michael Baronovic’s (@MishoBaranovic) new Perspective Correct app to straighten the lines of the towers. Then I cropped the bottom, ‘ground’-half, off. Using PicFrame app, I ‘mirrored’ the remaining facade, eliminating the frame between the two sections of the vertical diptych, resulting in a seamless, symmetrical, floating-in-the-sky structure. For the rest, I used snapseed. I de-saturated the image, then used the grunge filter, choosing a texture that I find mimics parchment or handmade-paper. I like the juxtaposition of photographically realistic detail imposed on a background that evokes old surfaces used for illuminated manuscripts and East Asian scroll paintings. Finally, I warmed the temperature a bit to get a sepia tone, finishing with the center focus tool for a vignette effect.

(Last November was when I first started to play around with using cropped symmetry for a surreal effect. To see those first experiments, click here.)

"white dove of the desert"--the Mission San Xavier del Bac

A few afternoons ago, I was able to leave work a bit early...so I took advantage of the warm spring day to explore a bit--I went down to the Mission San Xavier del Bac, one of the earliest European structures to be built in Arizona. 

Only a 15-minute drive down I-19 from downtown Tucson, the 18th-century mission is one of the best examples of Spanish colonial architecture in the U.S.--the "white dove" of neo-Baroque and Moorish influences is still a parish church of the Tohono O'odham people today, over three centuries after Padre Kino first ventured up into what the Spanish Empire labeled "Pimería Alta." 

Desert sky, Native American culture, Spanish architecture--this is definitely a nowhere-else-but-Tucson kind of place, and endlessly photogenic. So. A few iPhone shots...

Traditional saguaro rib-mesquite log-ocotillo branch ramadas line the plaza in front of the Mission, where local Tohono O'odham families often sell regional food and drink...

View from the side chapel
(the slight 'fish-eye' effect
obtained by using the built-in panorama
mode in the iPhone5)

And here's the door handle on the Mission's entrance:

While a rattlesnake is an environmentally appropriate motif for a desert building, I can't help but wonder how many visitors note the irony of having a serpent 'guarding the entrance' to a church? (re-read Genesis, anyone?)

Inside--definitely baroque:

Look carefully at the cloth covering the altar:

It's the 'trademark' motif of the Tohono O'odham--the man-in-the-maze:

And some more of the Baroque interior--note the Native American statue on the right:

This is Ketari Tekakwitha, a 17th-c. Algonquin woman who was canonized, last year, as the first Native American Saint in the Catholic church...

The rear entrance to the courtyard of the Mission...

==========================

Totally unrelated to the Mission, the scene below,

but this striking street-art was on my way--

I've passed it so many times, but had never stopped to photograph it:

the Heart mural on the corner of Stone & Speedway:

(Bright colors and skulls--the pre-Hispanic and Hispanic influence of the Day of the Dead)